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Radio City quickly became the favorite first-run theatre for moviemakers and moviegoers alike. Two weeks after its gala opening, Radio City Music Hall premiered its first film, The Bitter Tea of General Yen. Rothafel first dubbed the troupes as the “Roxyettes,” who performed a routine to the song “With a Feather in Your Cap” on opening night, but in 1934, the “Roxyettes” officially became the Radio City Music Hall Rockettes.
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Described as “the hottest ticket in town,” more than 100,000 people requested admission, but only 6,200 could be obliged. While there were three separate dance troupes performing in New York City in the early ’30s, Rothafel moved two of the troupes to Radio City Music Hall for opening night on Dec. The “Missouri Rockets” were such an instant hit, that Rothafel was loath to let them leave after their performances at the Roxy Theatre, and pleaded with Markert to form another line to replace the departing dancers. That same year, the troupe traveled to New York City to perform in the Broadway show Rain or Shine, and were discovered by showman S.L. The dancers known as the “Missouri Rockets” made their show debut in St. Starting with just 16 women, over the years the troupe grew to a line of 36 dancers. Originally, a Rockette had to be between 5’2″and 5’6 ½”, but today, she is between 5’6″and 5’10 ½” and has to be proficient in tap, modern, jazz and ballet. Inspired by the British dance troupe formed by John Tiller (“The Tiller Girls” performed in a 1922 Ziegfeld Follies production), Russell wanted to achieve absolute precision and ultimate uniformity in the movements of the dancers. The Rockettes began kicking up their shoes since Russell Markert, the Rockettes’ chief choreographer, image-preserver and resident “father figure” of the famous troupe until he retired in 1971, founded the exemplary American chorus line-an exciting precision dance company with great style, flair and glamour-in 1925.